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Archive for the ‘weaving’ Category

Weaving Marathon

Yesterday was a 12-hour weaving day – winding warps, tie on to the previous warp, wind on, weave weave weave the next piece for the wall-hangings I am doing for the show at Confluence Gallery.  I felted the first one on Wednesday and it turned out OK!  I was so uncertain it was even going to work.

These are actually a kind of double-weave, each color is woven separately but they interlace.  I am using Shetland 2-ply yarn (the kind you would knit a Fairisle sweater from) – I bought a big mixed bag of colors from a friend at the knitting retreat a couple of years ago at the stash reduction sale.  So I had a lot of colors to choose from and it wasn’t expensive, so risking completely ruining it in an experiment seemed OK.

Encouraged by the way the first one turned out (about 30-40% shrinkage) I went ahead and wove 2 more.  One is blue/green and the other is black & white (with some greys).

Here’s the Black & White before felting:

These are so open and delicate I have to start off with just a soak and then a careful swish in hot water and detergent, using some plastic spoons I use for dyeing:

After about 15 minutes I shocked it with cold water, then back to hot tap water and detergent and using my hands in rubber gloves.  Once they started holding together I transferred them to a table and the setup I used years ago for a nuno felting class:

The blue mat is spa cover material and has a waffle texture on one side, which provides just the right amount of rubbing and friction to continue the felting.  Then you use a “water noodle” (flotation device) to roll the package around.  Sprinkle on some hot soapy water and roll – and roll – and roll.  Take it out, rinse, check, roll some more.  It took a total of 2-3 hours to get these down to where I wanted them (from initial soak to final rolling and rinsing).

But I needed to get the weaving and felting done this week before I leave for Orcas Island and spinning camp with the fabulous Judith MacKenzie – bright and early tomorrow morning.  I am not done with these pieces yet, they are going to be embellished.  I will be working on that part while gone next week, then do the final assembly when I get home.

The show opens March 5 and here’s an article from the Methow Arts website about the show, with a wee small blurb about me and my friend Sara Ashford.

It was an absolutely gorgeous Methow day today – sunny and clear, with many skiers out on the trail across the fields.  Sadly, we were not among them.  But Pushkin came downstairs and grabbed some sun on the back of the sofa:

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Last weekend we made a trip to the Coast to pick up materials for one of Rick’s cabinet jobs, and visit with friends and family.  On the way to and from Anacortes, in the Skagit Valley, we saw large flocks of snow geese out in the fields.  They are quite a sight!  Then when we arrived home, it was obvious that rain and/or thaw had set in.  We still have snow on the ground, but it is soggy during the day, becoming icy at night.  Yech!  Navigating our driveway on foot from house to carport is a bit treacherous.  Although now, in the late afternoon, I look outside and it is…. snowing!!

Having dropped the ball entirely on blogging the last couple of weeks, I will attempt a bit of a catch-up.

My weaving workshop a couple of weeks ago in Seattle, with Margaret Roach Wheeler, was marvelous.  Her website is Mahota Handwovens – the type of weaving we were learning is shown in her clothing line.  She uses the summer-and-winter weave structure to weave decorative bands that emulate Native American beadwork and quillwork.  Here are a few pictures from the 2-day workshop:

Margaret discussing a finished sampler

A shirt with decorative work on collar and facings

A beautiful dress - note subtle colorwork at the very top

Our samplers were worked in 10/2 perle cotton.  She gave color value and contrast guidelines, but every warp was different and the colors chosen for wefts were up to the student.  There is a lot to explore and learn there – what works and what doesn’t!  But I am pleased with my sampler and will use it both as a guide for future work, and as a wall hanging in my studio:

My washed sampler from the Wheeler workshop

Meanwhile, the last few weeks I have written up the pattern for the “Mosaic Mojo Hat” and have taught 2 groups of intrepid knitters the techniques used there – short rows (including hiding the wraps in garter stitch), garter stitch grafting and mosaic knitting.  No-one left crying so it must have been OK.  I taught it as two 2-hour sessions with a week in between to get some knitting done, and will be teaching it again in March down at Uptown Woolery in Chelan.  Inevitably, some errors in the pattern were found and I still need to tweak it a bit.  Eventually I will offer it as a PDF download from my Ravelry page and will put a link here on the blog.

I made a commitment to have some woven pieces for the next show at Confluence Gallery in Twisp – the theme is “Lacuna”, which they said “can be described as a gap, an absence or a void, but the meaning is much more nuanced and evocative”.  It has different meanings depending on the application.  The show opens the first weekend on March so time is running out, especially as I will be gone to spinning camp on Orcas Island all of next week!

So this week I am trying to bring an idea along and I am not sure it is going to work.   The basis will be some woven and felted wall-hangings, which I plan to embellish further.  So here is what I was doing the last couple of days:

Sleying the reed off the loom -first time I have tried this, and I like it.  Much more comfortable.

I discovered the Hans Wegner “Wishbone” chair is perfect for sitting over the sectional warp beam to thread from the back.  [As an aside, we were thrilled to find the set of 4 chairs at a used-furniture store in Ballard a couple of years ago, for a very reasonable price.  Hans Wegner is one of Rick’s heroes, a famous Danish furniture designer.  We had them down at Benson Creek but now they are in my studio along with the smaller oak dining table]

Here is the first piece almost done:

What will this odd-looking blob become?  Stay tuned!

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16 Scarves

After we returned from Christmas on the coast, I wound 4 warps for the plaited twill scarves – that is, 4 different colorways, 2 of which were new ones I had in mind but hadn’t tried yet.  I can get 4 scarves from a 10-yard warp so I have been weaving away and now have 16 scarves woven:

but not finished.  I still need to twist the fringes, darn in ends and wash and press them.

I wanted to get this many done because I sold most of what I had before and during the holidays (not complaining!).  It saves me a lot of time if I can tie on each new warp and pull it through the heddles and reed, so I don’t have to re-thread etc.  But I am going to have to take this warp setup off the loom I am using because I need it for a workshop I am going to the end of next week.

The workshop, which will be held over in Seattle through the Seattle Weavers’ Guild,  is with Margaret Roach Wheeler, a native American of Chickasaw-Choctaw descent.  Do check out her website (Mahota Handwovens) –  I think her work is stunning.  She will be teaching us how she uses the Summer & Winter weave structure to interpret native American beadwork and quillwork patterns in her clothing line.   There are many beautiful examples on her website.  I am really excited to have this opportunity to learn from her.

Speaking of the loom I am using, I was having a fit around scarf # 10.  It is my Macomber “workshop loom”, the model CP portable.  Tie-up hooks were constantly popping off the lamms (the hooks connect the pedals or treadles to the lamm, which is a bar that connects to the jacks which raise the harnesses).  Also the harnesses themselves were hanging up and not dropping and I was getting messed up areas in the pattern and having to take work out and fix it constantly.  And it kept making a lot of loud creaking and squeaking noises.

Finally the light bulb went off in my head and I looked on the Macomber Looms and Me blog (also in my sidebar at right).  Sure enough there were a couple of entries about cleaning old grunge and dust off the jacks, and about Spiffing up your Loom.  I am not sure but my loom may have been sprayed with some WD-40 during a workshop last fall at our guild room – turns out this is a big No-No for Macomber looms.  So anyway, I cleaned up the jacks and the wooden slots the lamms slide in as best I could with a warp on the loom, using acetone and a rag, then applied silicone spray and vaseline (recommended for wherever brass parts touch steel parts).  The result was a much happier loom and a much happier weaver!  The last scarves went off without a hitch as fast as I could go.

I also include a picture of the handspun yarn I finished up a week or so ago.  This was from a multi-colored grey Corriedale fleece I washed, carded into layered batts (dark, medium and light in 3 layers to preserve some color variation in the spun yarn) and then spun over a period of time, mostly during the last year.  I finished it up as a 3-ply yarn and definitely have enough for a sweater (maybe 2700 yards of sport weight).  I am thinking traditional gansey style but need to do some swatching.  It is the most yummy, squishy and springy, soft yarn – I love it!

We will have 2 sets of visitors this week, so glad to see them!  Our first visitors arrived Friday night from Seattle.  Yesterday was a gorgeous Methow day and we went snowshoeing up in the Rendezvous area out of the Gunn Ranch.

Kristin is with child, due mid- to late-March, but she looks just like…. Kristin with a basketball on the front!

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We returned from 6 days on the Coast last Sunday, and our dear friends who are currently living in Southern California joined us here for 3 nights before heading back south.  We celebrated a 59th birthday:

They brought their 2 new cats, Tatti (a Maine Coon, still an adolescent and a big, sweet girl) and the Siamese kitten, Neko.  I’m not sure why my best picture of Neko was taken when she was asleep, because that was rarely the case!  She was very playful and hilariously entertaining.

There was only one “moment” when Tatti sneaked upstairs past our barrier and encountered a hostile Teasel (our female Bengal cat).  There was a lot of hissing, screaming and scrambling around.  We raced upstairs to find Tatti cowering in the bathroom, little fluffs of Tatti fur on the landing, and Teasel puffed up to about 3 times her normal size.  No harm done, though.

Rick and I went out for a fairly long ski on Monday which took us onto the Winthrop Trail and a view back down to the house:

Since then it has turned really, really cold – but clear and beautiful, especially in the mornings.

The carport is finished and we have both trailers (the Aliner travel trailer, and Rick’s utility trailer) and both our vehicles safely parked out of the snow now:

carport finished Dec 30, 2010

While away on the Coast, I finished the fourth of the swirl top hats.  This time I used a mosaic pattern from Barbara Walker’s Mosaic Knitting for the band and I am quite pleased with the result.  The yarns are Noro Silk Garden (the one showing color graduation) and Rowan Kid Classic in the same dark brown I used on the first hat.

And this week I warped up my small loom with a new scarf warp colorway that I had prepared before we left for Christmas.  I have finished the first 2 of 4 scarves I will get from this warp, and am working on the third one today.

Autumn warp with eggplant chenille weft

Autumn warp with black tencel weft

Tonight we go down to Twisp to join a group of friends for potluck dinner and ringing in the New Year at the Methow Valley Inn.  Safe travels to all who are similarly out and about tonight, and Happy New Year!

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METHOW VALLEY SPINNERS AND WEAVERS GUILD

Cordially Invites You to Our

Annual Show & Sale

Friday, November 19, 2:00 – 6:30

Saturday, November 20, 9:00 – 3:00

137 Old Twisp Highway

(a loop road off Hwy 20 between Twisp and Winthrop in the Methow Valley)

Towels, Blankets, Rugs, Scarves & More  ~~ All hand-woven by our guild members

I’ve been really busy this week getting ready for the above event.  I sold a lot of my work at the Seattle Weavers’ Guild Sale and then the following weekend out at Port Townsend – not that I am complaining, it basically paid for my new e-spinner and camera.  But I wanted to have more to show at our Methow Valley guild sale this weekend.  So I put on a purple warp for 4 more plaited twill scarves last Friday, wove them over the weekend, and finished the ends etc. last night.  They were all woven with rayon chenille this time:

Plaited twill scarves with purple perle cotton warp

The two blue ones are not exactly the same – they were done with different tie-ups and treadling (one is the same pattern as the black scarf, the other the same as the green scarf).

Today I will put together some more shawl pins, as I sold out of those too.  I was out of finished wood rings, but Rick still has quite a few that are cut out and turned, and he sanded them out and put finish on them for me the last couple of days.  Bless him.

And I finished spinning the fiber I started on 2 weekends ago, and will ply it up into yarn on my new spinner today.  Pictures later!  I like to have some handspun for sale at our event, as people really seem to appreciate it, and I often feel the spinning part of our guild name is somewhat neglected in favor of the weaving part.

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Have Weaving Will Travel

I am off to Seattle today, to attend the Seattle Weavers’ Guild meeting and participate in the 30th Annual Show & Sale.  I have put a link in my sidebar, as well.  It takes place this week, Oct 28-30 in Bloedel Hall of St Mark’s Cathedral.

I am amazed at how much time it took to inventory everything, create and attach tags, etc.  And I don’t even have that much stuff – a variety of shawls, rag rugs and my new plaited twill scarves.

I will be helping out at the sale on Friday Oct 29th – hope to see a few friendly faces there!

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A Real Gem!

Blogging is lagging behind actual events these days, but I am trying to keep on top of it!  Right after we got back from our road trip, I plunged into a 3-day workshop at my local guild’s room (Methow Valley Spinners and Weavers).  That was the weekend before last.

And what a grand time we all had!  We were lucky to get Ruby Leslie from Vermont to teach us her workshop titled “The 3D’s of 3-D: Deflection, Differential Shrinkage & Doubleweave.”  It was all about how to get texture into our weaving, but it being Ruby Leslie, there was also a lot of color!

Ruby with 2 sides of the deflected doubleweave sample

It was taught in a round-robin format, which means each of us warped and prepared a loom for one of the samples, wove the initial sample, and then over the 3 days everyone got a chance to weave all the other samples on the other people’s looms.  This was the first time I have participated in a round-robin, but it went very smoothly and we were all done by the morning of the 3rd day, leaving time for cutting the samples off the loom and a wrap-up.

Ruby was extremely organized and a great teacher.  She had wound our warps for us and sent them ahead of time with very explicit instructions.  The workshop handouts were also well-organized, with lots of information packed into them, but she went over everything very thoroughly, so together with the actual samples we have all the information to move forward with any of the weave structures we explored.  Some of the weave structures were set up on 2 looms (perhaps with some minor variations) which helped avoid bottlenecks as we moved through all the weaving.  I can’t recommend her highly enough as a teacher and all-around great person to be with.

Ruby was the keynote speaker at the ANWG conference in Spokane in 2009 (Association of Northwest Weavers Guilds biannual conference), where she also taught a 3-day workshop called “There Must Be 50 Ways to Use Your Color.”  I blogged about it back then: my half-day class, and her samples in the classroom.  I still hope to take that workshop some day!

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Hot off the loom

We’re getting ready to go on a little fall jaunt, so I have been tearing around trying to finish things up, take care of work responsibilities, get ready for events that happen right after we get back, etc.  Not much time to blog!  But here are the four plaited twill scarves I wove earlier in the week:

They will look a lot nicer once the fringes are twisted and they are washed and pressed.  But I am happy with them!  The two on the left were woven with tencel (in Moroccan Blue and Adobe).  The two on the right were woven with rayon chenille, and I particularly like the one on the end.  When it is moved around in the light, the pattern shifts in an almost irridescent manner.

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Weaving up a storm

I’ve been working on the looms a lot the last couple of weeks.  Part of the motivation is wanting to finish some things (rugs for a trade and to have out on consignment; stockpiling things for the holiday sales coming up) but part is also my new fascination with the plaited twill scarves I started on last month.

So I finished 4 rugs using Pendleton fringed selvages.  One was an order to match the 10-ft hallway runner I wove last month:

Really liked this next one, it reminds me of a Hudson’s Bay blanket.  I have more of the material and I am going to try alternating it with some smooth selvages from Pendleton in similar colors.  But, not this week!

And the other two:

By the way, Alfred has been hanging out behind the house a lot lately – just by himself.  He is definitely bulking up some.  We talk to him and tell him to stay around the neighborhood, with hunting seasons underway (had a bow hunter in the YARD last Sunday, looking for a deer he had shot.  Gah).

I wound 9 yards of warp for a new series of 4 plaited twill scarves, in a grey-green colorway, using 5/2 perle cotton:

I decided to use a “dummy warp” this time, so I can be sure to have enough for the 4 scarves, and tie on a new colorway when I am done.  I used 8/2 matte cotton and set it up with groups of 16 ends in alternating colors.  Because of the way I have designed the scarf warp, it makes it easier to tie on and keep track of where I am.

In a bit of a marathon, I wove off all 4 scarves the last 2 days.  Pictures later!  Of course, they still need to have their fringes finished, be washed and pressed, etc.  But I am happy with them.

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Plaited Twills

I finished the 3 scarves that I last blogged about here.  These all had the same 5/2 pearl cotton warp, using 5 colors in sequence, with blending at the edges.  The threading, tie-ups and treadlings came from Chapter 10 in Carol Strickler’s book, A Weaver’s Book of 8-Shaft Patterns (Interweave Press, 1991).  This is the chapter on Plaited Twills, and I used the threading called “double 2-tie” which has every other thread on shafts 1 and 2 (alternating) and the others running up from 3 through 8 and back down again in a twill-like fashion.

Like almost every new weaving project I attempt, it was definitely a learning experience!  I initially threaded it at 20 epi (ends per inch), 2 threads per dent in a 10-dent reed.  After sampling (shown in my initial post), I wove the first scarf with a dark red rayon chenille, using the tie-up and treadling for #370 on p. 103 of Strickler.  This one used all 10 of the treadles on my loom.

It came off the loom stiff as a board, and I was bummed to say the least.  So much for my “best guess” at sett.  Lesson 1: weave the sample, take it off the loom and wash it to see what the final fabric will be like, before proceeding.  There were other problems.  The little workshop loom (Macomber model CP) has a known problem of having the tie-up hooks jump off the lamms, disconnecting the treadle from the frames it is supposed to raise, and creating havoc with your pattern if you don’t catch it.  For some reason, this kept happening with the leftmost treadle only.  I thought I caught it each time, but when I took the scarf off the loom there were 3 shots that obviously were not in pattern.  I must have lost one of the 5 tie-up hooks on treadle 1 without realizing it (just before the rest of them imploded).

After washing and pressing, the scarf is still a little heavy and stiff but acceptable.  Magic really does happen in the water!  Here it is, pretty pattern but flawed…

Moving right along, I re-sleyed the warp at 16 epi (2 threads per dent in an 8-dent reed).  Then I changed the tie-up and treadling to #377 on p. 105 of Strickler, and changed the weft to 2 strands of black 10/2 tencel wound together.  This one used only 8 of the treadles so I was able to leave the 2 at either end out of action.  I only had a couple of problems with the tie-up hooks this time around, and was able to catch it each time.

I really like this pattern, and the scarf came out nice and slinky after washing.  The only problem was, I could tell partway through that I had tension problems in the warp and there were a couple of warp threads in the middle that were much tighter than the rest.   You could really feel it as a tight area when it came off the loom.  I had tried a new warping method this time (Warping on a Shoestring, booklet and video from Nadine Sanders) and obviously I need some practice.

Fortunately, after washing the effect mostly disappeared.

For the third scarf, I pulled the remaining warp off the back beam through the heddles and reed, and then re-wound it with proper tension.  Then I wove the scarf with the same pattern #377, but using a dark red tencel this time around.  This is a great example of how the interplay of color of weft with warp creates what I think Ruby Leslie calls “optical color blending” – the stripes looks like different colors in this scarf than in the one using the black weft.

I really like these plaited twills and will probably do more of them later, using different materials.

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