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We stopped by Confluence Gallery in Twisp this morning to see how the new show looks.  They did a great job, as usual!  Here is the poster for the show, which runs July 1 – August 5.  That’s my dearly beloved in the center picture.

Basically they paired Mary Lou Harris’s photos (taken in our studios) with examples of our work.  There are 10 artists involved.  Here are a few general shots:

Jeremy Newman & Allison Ciancibelli, blown glass;  Hannah Viano, prints and paper cutouts

Robin Nelson Wicks, clay figures

Nicole Ringold, jewelry and Perri Howard, mixed media

Barry Stromberger, metal work

Rick Swanson, woodworker, and Ken LIbby, photography on metal

Katie Swanson, weaver

Rick’s special piece for this show is the coffee table made from Oregon walnut that he has had in his wood stash for 25 or more years.  He is calling it the Hologram Table, because as you walk around it various sections change from light to dark, depending on how the fabulous grain is picking up the light.

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I finished the first set of woven lace scarves using my hand-dyed wool warp and Jaggerspun Zephyr for the weft (18/2 wool silk blend).  I used the first 2 skeins that were dyed purple going into dark red, and dark red going into medium red, and got 3 scarves.  Left: woven with Deep Purple Zephyr, Right: woven with Iris Zephyr.

I have one more in Deep Purple to twist the fringes on, and then wash.  Yesterday I wound the other 2 skeins (medium red and kind of a salmon orange/brown) onto the warp beam and will hopefully get it tied on and ready to weave sometime this week.

Also finished up 2 more rugs:

R311

R312

Yesterday a doe with her 2 new fawns came though the yard.  Adorable!

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I finished up the 2 lace scarves and they shrank about 12% in length and 17% in width after washing.  But that is because they really bloom and soften so it is a good thing.

Woven with “Curry” Jaggerspun Zephyr:

Woven with “Peacock” Jaggerspun Zephyr:

They are incredibly lightweight and soft.  I am going to move along to tieing on with my hand-dyed wool and just stick with scarf versions.  They will be a LOT more colorful!

I also finished the point twill scarf that I wanted to do with some of my handspun (all the others were done with the merino/tencel in a color gradation).  I am very pleased with this, and it is for the upcoming show at Confluence Gallery in Twisp.  The handpainted merino & tencel spinning fiber was from Chasing Rainbows Dyeworks and I had 3 braids in the Autumn colorway.  One wasn’t split lengthwise before spinning, so had very gradual color changes in the singles.  One was split in half and spun back to back, so changed colors twice as often as the first one.  The other was split in quarters, and therefore had the most frequent color changes in the singles.  So when all 3 singles were made into a 3-ply I got a lot of interplaying color changes.

New Scarves

I finished the second set of 4 merino/tencel scarves using the ombré color transition theme.

Here’s the blue one photographed with the table runner – I am submitting both of these for the show at Confluence Gallery in a couple of weeks:

I have also started a new experiment on my loom at the weaving guild room.  Last February at spinning camp I dyed 4 skeins of fine wool in a color gradient.

And at the weaving workshop in Seattle at the end of February, someone gave me a draft for a woven lace pattern that I thought might work for a shawl with these yarns.  But I didn’t want to experiment with my precious hand-dyed yarn, so I “conditioned” (soaked/washed) some of the undyed skeins and put a scarf warp on that is 2 motifs wide.  Here is the washed sample.  It shrank and bloomed a lot with washing!

It is woven with Jaggerspun Zephyr (50/50 wool silk in a finer weight than the wool warp).  I was experimenting with color and beat (picks per inch).  The gray one at the top was the most successful on both counts.  I like the gold one too, but it was beaten (just pressed with the beater, actually) too firmly.  I am just finishing the second of 2 scarves and will post pictures once they are finished (fringed and washed).

I am pretty sure I will proceed with this pattern for the hand-dyed shawls, using black Zephyr for the weft.  I’ll decide after the sample scarves are finished.  It’s a 66-row treadling repeat and I thought it was going to be a bear, but actually it’s not bad at all once broken down into 4-row sequences.

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We took the 1973 Airstream over to the dealership in Spokane about 6 weeks ago to have a ZipDee awning installed.   This is something I have wanted for a while and we finally decided to go for it.  Up until now we have used the Kelty Carport shelter that we used with the Aliner, to provide some sun shade at least.  But it was a hassle to put up – Rick had to get up on a stepladder and bungee-cord it to whatever he could find to hook it onto.

So now we have a lovely 16′ long roll-out awning for both sun and rain protection.  It is manual operation, because on our old trailer we are not wired for the electric automatic option.  That would have been a lot more expensive.  But it is very easy to put up and down, so I don’t see why we would have really even wanted that.

Might not seem like a big deal, but it is to us!  We will put it to use on our first long trip in July.

When I told Rick my idea for the title of this post, he immediately went off into riffs on it.  This is a guy who has never heard a pun he doesn’t like!  He really thought I was awn-to something.

Just a quick post to show pictures from a fun event we attended last Saturday.  The TwispWorks campus continues to evolve and turn into more and more of a community asset.  Please visit their website if interested, but here is a little blurb:

TwispWorks welcomes businesses, non-profit organizations, artists, craftspeople and the community at-large to the 6.4 acre campus to share, collaborate and celebrate the vibrant culture that makes the Methow Valley a special place to live, work and visit.

They recently finished the conversion of some of the old asphalt parking lot into an outdoor community and performance space, called The Plaza, and had the grand opening last Saturday.  Most of the artist studio and small entrepreneur spaces were open, as they always are on Saturdays especially in the summer.  In addition, there was music and fun for the kids in the new “splash pad” and elsewhere.  The Fork food truck was serving up yummy food.

I didn’t get pictures of everything! Sunflower Catering was showing their almost completed new kitchen space (remodeled from basically an equipment storage shed).  The new owners of Old Schoolhouse Brewery in Winthrop opened a new taproom there, and are looking at options to expand their brewmaking facility in another yet-to-be-remodeled space.

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Nesting

We know spring has really arrived, and not just because it is greening up and the wildflowers are coming out on the hills.  Many of our nesting boxes have new residents!  The bluebirds are back, third year in their chosen box – ditto, nuthatches.  There are lots of swallows around and we moved the “duplex” to a better location and think we have takers there.  A Say’s Phoebe is nesting on one of the rafters in the carport.  We aren’t true birders but we do so enjoy sitting out on the deck with the binoculars, watching all the activity.

I finished off the handpainted warp from the Kathrin Weber workshop with a couple of table runners using the repp weave.  I am supposed to give a presentation tomorrow at the guild meeting about my experience, so it was a good motivator to finish these and then clean up and put away the workshop loom.  I didn’t know how much warp I had left so that is why one came out shorter.

Also finished the first 3 scarves using the ombré color transition idea and WEBS merino/tencel yarn.  I am very happy with these (they feel wonderful) and have tied on a second warp and have started another set.  It may be hard to see in these pictures, but the front and back are both attractive.  On the front, the black warp yarn forms the predominant pattern, and on the back it is the weft yarn that predominates.

The colorways below are:  Plum & Elderberry, Whipple Blue & Silver, Grey Teal & Grey Olive.

 

 

 

 

 

 

 

 

 

 

I also finished spinning up two Polwarth/Silk handpainted braids I bought at The Artful Ewe (Heidi Dascher) in Port Gamble last November.  One of the braids I split in half lengthwise, the other one into quarters (so the color transitions came more frequently).  Those 2 singles were plied with fine kid mohair, also hand-dyed by Heidi.  I have 2 skeins, with a total of about 600 yards.

 

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