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A Fine Weekend

Well, the studio tour has come and gone.  It was a lot of work getting ready but we had a good time and enough, but not too many, visitors.  We had a mix of neighbors and friends, people visiting the Methow for the weekend, and “part-timers” here for the weekend.  It was kind of quiet both mornings, but picked up in the afternoon, and never so busy that we didn’t have time to really show people around Rick’s shop and my weaving studio, and get into some interesting conversations.

studio tour 2015a

I set up a display of my work under a canopy out in front of the woodworking shop.  Sales were actually pretty good, so I was pleased!

I did finish hemming the second set of towels on Friday night.

set 2b

set 2a

It was really quiet on Sunday morning, so I set up my big electric dyepot on the front deck of the house and started pre-dyeing the silk scarf blanks for another round of my “tie dye” scarves, which I hope to get to work on pretty soon.

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This coming weekend, Rick and I are participating in the 2015 Artist’s Studio Tour presented by Confluence Gallery, Methow Arts Alliance and TwispWorks.  27 Artists. 18 Studios. 2 Days. SAT & SUN, SEPT 19 & 20, 9-5pm.  Profits will benefit non-profit artist programs here in the valley.  The idea is to buy a ticket at Confluence Gallery or TwispWorks, for which you will receive a wristband and map.

2015 Studio Tour Postcard JPEGRick has been consumed with a major cleanup of his shop, which was badly needed anyway.  I have been consumed with weaving and finishing towels down at the guild room, as well as cleaning up my workspace.  Even if we don’t get a lot of visitors, it is a good thing to have an excuse to reorganize and clean!

Last night I finished hemming the other 7 crackle weave towels from the first warp.  There are only 6 pictured here because two of them are quite similar.

set 1f

set 1g

set 1h

Last week I wound and tied on a second towel warp in a different colorway, and have been weaving away on those:

crackle set 2 underway

I took them off the loom yesterday afternoon, brought them home and washed and dried them.  They are stay-stitched and cut apart, but whether I get them hemmed or not for this weekend is kind of up in the air!

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Counterculture

We made a trip to the Skagit Valley and then to Seattle last weekend, to visit family and friends.  While on the way over the mountains, someone sent me a link to the Bellevue Arts Museum concerning an exhibit that is currently on display there.  I didn’t think we would have time to do this, but as it turned out we had about 3 hours Sunday afternoon, after the Seahawks game (Rick’s mom, who is 96, is a rabid Seahawks fan, so he went to watch the game with her while I met with some of my knitting friends).  It was well worth the visit!

The exhibit is called “In the Realm of Nature: Bob Stocksdale & Kay Sekimachi”.   It is a retrospective of the work of Bob Stocksdale, a master woodturner, and his wife Kay Sekimachi, a master weaver.  Bob died in 2003 but Kay is still a working artist.  The exhibit was first shown at the Mingei International Museum in San Diego (Sept 2014 – March 2105) and the only other venue is the Bellevue Arts Museum (July 3 – Oct 18, 2015).  There is a beautiful accompanying book with the same title, which of course we bought, but they allowed photography so here is a tiny flavor of what we saw:

P1000260 P1000263 P1000265 P1000266 P1000267 P1000268 P1000269 P1000270

As long as we were there, we decided to wander up to the third floor to see the other current exhibit.

Counter-Couture: Fashioning Identity in the American Counterculture

September 4, 2015 – January 10, 2016

Counter-Couture celebrates the handmade fashion and style of the 1960s and 1970s. Often referred to as the hippie movement, the Counterculture of the era swept away the conformism of the previous decade and professed an alternative lifestyle whose effects still resonate today.

This turned out to be FABULOUS (well, maybe you had to be there in the 1970’s, which we were).  What a hoot!  Wait a minute, where are those embroidered workshirts that I stitched in the early to mid-70’s?  Trust me, they don’t hold a candle to most of the gems we saw at the museum, but I have never been able to part with them.  Looking in the closet…here they are!

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Last week I finished the next 3 towels after fixing the warp on my loom at the weaving guild room.  There are 3 different treadlings given with the pattern instructions so this represents all of them.

P1000227

Here is a closer look at the one that was offset by one thread (on the left) compared to the correct version (on the right).P1000225I have been down at the guild room a lot this past week, weaving more of these and using different color combinations for the wefts – so all of them will be a little different.  Should be able to finish up today and then, of course, there is the hemming and washing and pressing to do – but I should have more pictures coming up.

Last night there was a really fun event down at TwispWorksBluebird Grain Farms had its 10th anniversary celebration and organized a Farm to Table Paella Feast featuring paella made with their emmer farro as the main dish.  There were about 300 people in attendance!

The paella dinner was designed by Cameron Green (she is a local chef and caterer).  John Sundstrom of Lark restaurant in Seattle, one of Bluebird Grain Farms’ earliest customers,  came over for the event and prepared his signature seafood paella dish.  There were three huge paella pans going over wood fired outdoor cookers, plus several salads, bread, desserts, and a no-host bar featuring local beer and wine.  Almost all of the food was sourced from local farmers, bakeries, coffee roasters, etc.  and some of the proceeds went to support the Methow Made program (in 2013, TwispWorks started Methow Made as a collaborative marketing program to help Methow Valley food and beverage producers reach new customers).

Here are some pictures from last night’s event:

seafood prep

seafood prep

John Sundstrom from Lark restaurant

John Sundstrom from Lark restaurant

one of the wood-fired paella pans

one of the wood-fired paella pans

Cameron Green, chef & catrerer extraordinaire

Cameron Green, chef & caterer extraordinaire

a beautiful evening among friends at TwispWorks campus

a beautiful evening among friends at TwispWorks campus

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Crackle fixed… and more

On Saturday I re-threaded the towel warp, re-sleyed the reed and started a new towel in the same colors as the last one.  It’s much better!

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Here is the next towel underway – different treadling pattern and different color weft:

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The published pattern has three treadling variations and weft colors (always using some of the  colors used in the warp).  Once I finish the third one, I will take those off the loom and hem and wash them to see how they truly came out.  Then go on to making some others using different colors for the wefts.  This is getting to be fun!

I found a great little place in Wenatchee called Pins & Needles – they do custom sewing including upholstery, alterations, wedding ensembles, etc.  I have intended for several years to turn some rug samples into pillows – even bought the fabric, cording, zippers, etc. in the delusion that I (a non-sewer) could do this myself.  The samples were from a rug workshop I took from Judith MacKenzie out in Forks, WA before her studio fire out there.  So I brought everything down to Pins & Needles and they did a beautiful professional job for a very reasonable price.

P1000217

And recently I finished another other weaving project on Kingston, the 32″ Macomber at home.  They are table runners or mats intended to (a) use up materials I have, and (b) be a practical mat that is thick enough to set hot dishes on.  I used some of my many spools of left-over rug warp for the warp, and cut strips from corduroy fabric for the weft.  Actually there is a thick weft (the corduroy) alternated with a rayon/cotton slub yarn, which adds some texture and a little shine to the final mat.

P1000218

I am setting up Kingston to do another round of these, but I will make them a little wider and a little longer the next time.  I have some cotton print fabrics to use up as well, so the next ones will look a little different from that standpoint.

Rick and I are on a Methow Valley artist studio tour in 3 weeks, so I am trying to get some work done in anticipation of that event!

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Before I go into the weaving saga, let me just say that things have calmed down considerably here at our home since my last post.  There was an article on regional fire activity yesterday (Saturday August 29) on Methow Valley News Online if you want more information.  There is still some bad stuff going on in the lower Methow Valley, over in the Okanogan Valley, and around Lake Chelan.  It was terribly smoky here this past week and we had to stay inside as much as possible and not leave any windows open.  But our area is back to level 1 “be alert” and we have moved back in and brought the Airstream home. We had some rain and wind yesterday and the air this morning is lovely and clear.  They are hoping to open the North Cascades Highway today, although there may be occasional closures due to mud and rock slides, continuing fire fighting efforts, etc.

This past week I have been down at our weaving guild room putting a towel warp on the loom I keep there.  It is a project from a 1994 Handwoven magazine called Country Rustic Towels.  This was re-published by Interweave Press in “Best of Handwoven – A Dozen Projects in 8/2 Cotton” which I purchased as an eBook (PDF download) back in 2012.  So that was the source I was using to set up my project.  It is a Crackle Weave structure, which is something I have not done before.  There are 4 blocks or units and each color stripe is a different block, with what is called an “incidental” or transition warp end between blocks.

I brought my AVL warping wheel down there and wound a 12-yard warp onto the sectional beam.

Country Rustic warp on the loom

Country Rustic warp on the loom

Threaded it, sleyed the reed, tied it up and started weaving the first towel yesterday morning.

What’s wrong with this picture?

Country Rustic shifted

The pattern is shifted by one thread!  I went over and over what I had done, and yes, it matched the published instructions perfectly.  Then I went to our guild library shelves and got out the original Jan/Feb 1994 Handwoven magazine.  It turns out they edited the original pattern and did indeed add some useful information.  But they got one thing backwards – the warp color order chart!  Actually it is just a little thing – it should start with 13 blue threads on the right, and end with 12 blue threads on the left, not the other way around.  It is correct in the original instructions, but not in the Dozen Projects in 8/2 Cotton book.

I consulted with another guild member, and we agreed it is most obvious in the light gray stripes.  She suggested that I finish the first towel, then selectively replace some of the warp threads on either side of the gray stripes to at least improve the appearance (I have 10 towels to go, mind you).  That would mean having extra weighted threads hanging off the back for the rest of the weaving.  When I left last night, that was my plan.

But at 3:30 this morning, during an awake period, I decided to bite the bullet and re-thread the darn thing.  That will fix all of the blocks, not just make the gray ones look better.  And it won’t be as hard as the original threading, as I already know it is threaded correctly.  I will have to remove the left-most blue thread, then go through from left to right moving all the rest of the threads over one heddle.  Then add one new blue thread on the right.

If only I knew more about crackle weave, I would have realized when I started threading the heddles that the transition threads were the wrong color.  That would have been the chance to remove the left-most thread and add one at the right, before I started threading.  But no, I was being a “blind follower”.  Live and learn!

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We finally found a great guy who is an experienced carpenter, but only looking for small jobs when he is in the valley.  We have a couple of projects to do around here, and first up will be exterior stairs to parts of the deck.  The house wasn’t quite finished when we bought it 4 years ago, and the “steps” were very temporary.

These are designed to match the stairs for our main entry under the breezeway, that Rick did last fall.  Those have wooden treads, as they are under cover.   The rest of them will get snow and ice, which we don’t want to pile up all winter on wooden treads.  The stringers are done and awaiting metal stair treads which we are getting from Alpine Welding in Twisp.

Off the front corner leading to guest and trailer parking

Off the front corner leading to guest and trailer parking

Two stairs off the back porch, one from the French doors and one leading to the woodpile

Two stairs off the back porch, one from the French doors and one leading to the woodpile

Weaving rugs again now, to get some inventory out to the galleries for the summer, and use up my stash of Pendleton wool selvage material.

R216

R216

R217

R217

 

R218

R218

R219

R219

R220

R220

R221

R221

And I finished knitting this lovely shawlette, using my silk/wool handspun yarn: “Magrathea” by Martina Behm.  I had very little yarn left over!

Magrathea 1

Magrathea 2

 

 

 

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Last week my back-door neighbor did a “tie dye” silk scarf day with her Friday bicycle group, and I went over to help out.  It was a lovely sunny day, and they were very nice women who were a little trepid about the whole thing.  The main concern was if they were choosing colors and arrangements that would work – we told them you couldn’t necessarily tell what colors were going to transfer anyway, so just go for it!  They all turned out well and of course I was so busy I didn’t take any pictures.

But it did inspire me to do some more myself, using the silk ties I had picked up over in the Skagit Valley when I went to visit my Dad, brother and sister-in-law a couple of weeks ago.  Some of these were from “second use” tie pieces, and although the scarves came out somewhat paler in color, I think it worked.

May 2015 set 1

May 2015 set 2

I have these for sale at the Winthrop Gallery in Winthrop (obviously) and down in Twisp at the new D*signs Gallery (that is how she spells it).  No website yet, but it is an added location for one of the partners in Methow Gallery at Twispworks, where she will do her graphic design and sign painting, in addition to running the new gallery space.  It’s really well done and a great addition to the arts scene in Twisp – you locals, go check it out.

This week I am pre-dyeing some scarf blanks a variety of colors, so will have some more on a colored background (instead of white) sometime in the next week or so.

After several days of chilly, cloudy weather, we are back to sun!  It is supposed to be in the low 70’s for the rest of the weekend at least.  Lots of flowers out now, and we hope to get back up in the hills while the arrowleaf balsomroot are still glorious, and the lupines are coming on.

This coming weekend brings ’49er Days in Winthrop and also the annual Sunflower Marathon and Relay sponsored by Methow Trails.  We will miss all that fun because we are headed over the mountains for Mother’s Day weekend and family visiting.  It should be a glorious trip over the North Cascades Highway, with snow still in the high peaks.

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More Silk Scarves

A couple of weeks ago I followed up on our guild’s silk scarf project by doing 11 more at home.  I had purchased a dozen scarf blanks and had picked up a bunch of neckties already, so was ready to go.  I also wanted to experiment with a couple of things, like re-using the necktie material if it seemed like it still had enough color in it, and pre-dyeing the scarf blanks before doing the dye transfer part.  So it was a week of play in the studio, and a break from weaving!

This layout:

P1040564led to the scarf on the left below.  Notice that the scarf on the right has some white areas.  It turns out the trickiest part is rolling them up so that no wrinkles form in the scarf blank, as this leads to undyed areas.  I later fixed this scarf by putting it through the process again, laying pieces of necktie across the undyed areas only.  It added more visual interest, so all was well!

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The next was an experiment with woven, as opposed to printed, necktie material.  In our workshop, I learned that the woven ones don’t transfer their dyes as well, but I had already purchased some and was hoping to not completely sacrifice them to the waste bin.  The problem is that the dye is in the thread the material is woven from, instead of being printed on the surface of the tie.  Only one of these came through very strongly.

P1040566I later put this through again with some additional pieces that I knew would transfer dye, to make it more interesting. It is the scarf on the right.  The one on the left is the first one I did at our guild’s workshop.P1040581

This layout used some of the wide end pieces that have lining on the back (so that side won’t transfer dye).  I found that I could open up the narrow end and lay it on the back side of the wide end, thus getting printed fabric on both sides.  For these scarves, I pre-dyed the scarf blank a pale turquoise color first, so I didn’t have to completely cover the scarf blank with necktie material.

P1040571This led to the one on the left:

P1040576Another layout on a pre-dyed scarf with the wide end of neckties:

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which is the one on the left:P1040579

Loved this orange tie!  I think it has enough dye left to use at least one more time.

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It, and this one, led to the 2 scarves below.

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It’s interesting that the olive green tie above only came through as lemon yellow on the scarf.

P1040589Here are a couple more that I didn’t get layout pictures for.

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I have taken 10 of these up to the Winthrop Gallery.  I found a neat old broom display at the White Buck Trading Co. sale last weekend, and fitted it up for a scarf display.

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A friend of mine showed me a cool way of draping my new shawls last week, and I thought I would share it.  Often when you just wrap a shawl around your shoulders, you have to hold the ends with your arms, or pin it in some way.  It doesn’t want to hang down straight or stay on your shoulders all by itself!  This method achieves that, if you are just wearing it as a large scarf, not wrapped around you for warmth.

Start by folding the shawl in half across the middle:bias drape 1

Now draw the bottom edges away from each other.  The goal is to create a fold that is on the bias of the fabric.  You may have to play around with how much of an angle you want:

bias drape 2

Now hang it around your shoulders, so the crossed edges are against your neck and the bias fold is hanging across your shoulders.  This is the tricky part.  On a person, we could get the bias fold to run straight across the back.  On the manniken, I had to drape it a little differently, but it still looks nice.

bias drape 3

Now the ends hang down straight in front.  On these shawls, it also shows off the 2 sides of fabric nicely!

bias drape 4

You could do this with a narrower scarf as well, and any kind of shawl or scarf – not just handwoven.  I also tried putting it on with the bias fold up against my neck and the crossed edges hanging below towards my shoulder blades.  You can make a kind of “shawl collar” this way, and the ends still hang down straight in front.  So play around with it and see what you think!

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