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Archive for the ‘fiberarts’ Category

Polychrome progress

I finally got back to the loom last week after what seemed like ages – many things seemed to interfere: trips to the coast, catching up at work now that my boss is back from Argentina, gallery activities, just life in general.

I put a second warp on my little loom for more “summer & winter polychrome” scarves.  This time I used shades of purple in the warp, then got out Deb Menz’s Colorworks book to come up with ideas for weft colors.

The first scarf was based on a “double split complement” color scheme.  Of course, I am somewhat limited by the colors I have on hand in the Zephyr silk/wool.  When sampling before actually starting the scarf, I wasn’t at all sure I was going to like the green, which is called “Basil”.  But amazingly, it works!  For the plain weave portion, I used a dark purple.

For the second scarf I used Lilac for the plain weave sections, and an “analogous” color scheme for the polychrome work at each end.  In some of the patterns, there are as many as three or even four shots of different colors in different sheds, before the tabby tie-down that holds the whole thing together.  This builds up a lot of color on the surface, both solid areas and color mixes, that gives it so much richness.

Doing the finishing work on these scarves seems to take almost as much time as weaving them!  It seemed like I was twisting fringes all day long yesterday….  But they did soften up nicely after washing and pressing.

Here are pictures I took this morning of the 4 scarves finished so far.  Today I will wind a new warp for 2 more, then after that I think I will work on something else for a while.

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Icelandic “Fleece”

Before I left for spinning camp in late February, I realized I had never finished up spinning and/or plying some of the projects we had undertaken 2 years previously.  Ridiculous!  That year the theme had been “Spinning for Traditional Knitting.”  We spun different kinds of fleeces different ways, to make yarns suitable for Cowichan style sweaters, traditional Aran knitting 5-ply, and Icelandic lace.

We had worked from 5 or 6 different Icelandic sheep fleeces, in a range of colors from white to gray to brown to black.  Judith showed us how to use the electric carder to de-hair the locks, then the undercoats were carded into spinning batts.  The goal was to produce a 2-ply yarn suitable for lace knitting, in a variety of colors.  I had prepared all the wool and spun some of it, but still had a number of batts left to spin.  So I finished those up and plied them all.  Before I left for Orcas this year, I went through a number of my knitting books, including the wonderful Three-cornered and Long Shawls by Sigridur Halldórsdóttir (in Icelandic with an English translation provided, and available from Schoolhouse Press).  I liked the look of those shawls, but knew I didn’t have enough yarn for something that large, nor was my handspun yarn that fine a weight.  Then I remembered seeing a wonderful scarf which is a free pattern on Knitty:  Fleece by Kieran Foley.

So here is my version of Fleece, which is written for a sock weight yarn.  I cut the size down by 30 sts (one full repeat) as my yarn was a little heavier and I had a limited amount.  I changed the colors whenever it seemed time, with the goal of using up everything I had!

I had also spun, but not plied, the wool from a Clun Forest sheep (a down breed).  We were supposed to make a 5-ply for aran knitting, to get a smooth rounded yarn that would show cable and other stitch patterns well.  Before this year’s camp, I went to work on plying it up and knitting it into a hat (I have to admit I cheated and only made a 4-ply).  I didn’t have quite enough for the whole hat, so made the initial ribbing from a charcoal gray handspun I had laying around.

The pattern is Crown of Leaves by Faina Goberstein, available from Twist Collective as a PDF download.

I made the largest size, and also added one additional cable repeat at the beginning of the crown section, so the hat would be a little taller.  It fits me well and is my new favorite hat!

 

 

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New directions

I have had an almost finished small rug sitting on my Baby Mac loom since September, when I took the rug weaving workshop out in Forks, WA.  Last week I finished that rug, in which I was playing with clasped wefts and some pick-and-pick patterns.

I still had warp left on the loom, so I got out Peter Collingwood’s book, The Techniques of Rug Weaving, and found some ideas based on a broken twill tie-up and 4-shot sequence of pattern wefts.  I had some miscellaneous knitting yarn (discontinued Rowanspun Tweed) in decent colors, so although not rug wool, I thought it would work for something meant to become a cushion top.

I like it OK and learned something new, which is always a good thing!  Neither of these is very big, about 16″ x 20″, and I hope to use them as throw pillow tops.

So now the small loom is free and ready for something new.  I have been meaning to start an exploration of surface color based on a summer-and-winter threading, ever since taking a workshop from Margaret Roach Wheeler in Seattle over a year ago.  Our guild challenge project this year is “Summer and Winter” and I need to have something done by mid-April, so that dovetailed nicely with some ideas I have been meaning to pursue anyway.

So I put a warp on for about a 10″ wide scarf, 6 yds long so I have room for some sampling and hopefully 2 scarves.  I am using a 50/50 wool silk blend (18/2 Zephyr from Jaggerspun) and used 5 colors of bluegreen graduated across the width of the warp.  Also using Zephyr for the pattern wefts and tabby tie-downs.

Here is some color sampling I did before starting the first scarf.  I was just exploring what looked good against the blue-green warp.

Here’s the start of the patterns for the first scarf:

then I wanted it to go into more muted colors, blending into the background, before starting the plain weave section in the middle:

I’m working on the plain weave section now, and then will work the above patterns in reverse at the other end.  This is so much fun and I am quite excited about the possibilities!

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Mister and His Sister

I can’t believe I have been back from Orcas Island for a week already.  While I was gone, Rick reported that the new cats were getting along well and playing a lot.  They seem to be firm friends by now:

Spinning camp, or fiber retreat, was a lot of fun as always.  The theme was supposed to be “Fine and Fuzzy” but we did a lot of different things.  Here’s the meeting room where we set up our wheels:

spinning retreat at Camp Orkila

We took apart thrift-shop cashmere sweaters and experimented with re-using the yarn in various ways.  We spun paper! Judith had an article about this in the Spring 2011 Spin-Off Magazine.  I liked the end result used in weaving, or for baskets, the best.

Little mats woven from spun paper on a cotton warp, and a little basket from spun paper, dyed with indigo

The raw material - cut up dress pattern paper

We were also given cashmere, camel, bison, angora bunny, and pygora goat fiber to spin (some of these in different blends, e.g. with silk or with merino wool).  On the last day, Judith made a boucle yarn with recycled cashmere and pygora type A fiber.  Definitely going to be pursuing this one.

There was also dyeing going on in the cabin adjacent to the meeting room.  This year it was mainly dyeing with various lichens, and with indigo, although there was a frenzy of silk hankie dyeing with acid dyes towards the end.  I stayed out of that – just too many ideas and things to try to take on another one!

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I finished off the rug warp last week, starting with this custom order 6-1/2 ft runner.  My friends wanted this material in particular, a classic Hudson’s Bay blanket colorway.  Pendleton calls it the Glacier National Park Blanket.  I kept calling the mill outlet store near Portland until they finally got some of the fringed material in from the mill, and then had it sent up to me.

I still had some warp left, so wove this little mat for the “water closet” in our upstairs bathroom (the toilet is in its own little room):

and I still had some warp left, so decided to “go for it” and make another small rug using some dark blue fringed material alternated with bright red “worms”.  It was a struggle getting a good shed at the end, but I had very little warp left when done, which is a good thing.

On the knitting front, I finished a pair of the Flamingo Mittens by SpillyJane Knits.  I first saw these on Carol Sunday’s website, or rather the e-newsletter I subscribe to from her.  The website is Sunday Knits.  She has a line of scrumptious yarn sourced from Italy and dyed to her specifications, and is a prolific knitwear designer.  I had a skein of her Nirvana (92% merino, 8% cashmere) in the Cedar color, and rummaged around in the yarn boxes until I found a good flamingo pink in Yorkshire Tweed 4-ply.

These are too small for my hands at an 8″ circumference, but that’s OK since I made them for a friend of mine anyway.  But if I make another pair of SpillyJane’s mittens for me, I will add another 10 sts or 1 inch in circumference.

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Yet More Rugs…

I’m nearing the end of the rug warp on my 48″ Macomber loom.  I have enough left to weave a custom order hallway runner for some friends (at least, I hope I have enough left…)

I usually weave 4-5 rugs at a time before taking them off and finishing them (which means sewing the hems, washing them on a delicate or washable-wool setting in cold water, hanging to dry, then sewing on my labels).

Here are the ones I finished mid to late January:

Multi-colored worms intermixed with solid red at each end

Multi-colored worms intermixed with solid blue at each end

This one is similar to the rug I did for a friend back at the beginning of this warp.  I used 6 different colors of “worms” (wool strips) plus some of the fringed wool blanket selvages.  It looks a lot better in person – I really like the variety of colors and textures and may wind up keeping it.

6 colors of worms plus some fringed material

Multi-colored worms with solid purple stripes outlined in dark violet

The above were taken off the loom, finished, and photographed on Jan 21st.  Since then I have produced the following:

Classic Pendleton blanket selvage alternated with blue worms

Blue multicolor flannel (un-napped) worms

These two I wove specifically for our upstairs bathroom:

Brown & green tones flannel worms; stripes outlined in solid black

When we were in Seattle a week or so ago, we went by D.A. Burns, a carpet & upholstery cleaning and repair business that we have used many times over the years.  I wanted to get some Durahold rug pad to put under the rugs I am keeping at home – this stuff is the best for hardwood floors!  It has a felt upper surface and natural rubber bottom surface, so it both cushions and grips the rug, and also won’t slide on the floor.  It came on 6-ft and 12-ft rolls, so we had them cut a piece 28″ wide and 12-ft long, then Rick just cut the piece with a utility knife to fit the rugs after washing (my current rugs are warped at 30″ and come out 29-30″ wide finished – they recommend cutting the pad about 1-1/2″ narrower than the finished size in both directions).

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FO: Bobble Shirt

Here’s a “finished object” in the knitting department.  I started it the first weekend of November while at knitting retreat.  It’s an adaptation of a pattern called “Bobble Shirt” by Carol Lapin in the first Jamieson’s Shetland Knitting Book (I have added a link because it is still available both new and used).

My version of the Bobble Shirt

The main yarn was a lovely handpainted Blue Face Leicester DK from Fleece Artist, a dyer in Nova Scotia.  I bought two skeins in the Ebony colorway at Knit Purl in Portland, OR several years ago.  It’s time had come!  Each skein was 250 gms, 450 meters – so I had about 1000 yds of DK weight, which knits up at 5-1/2 sts per inch on a US 6 (4 mm) needle.  For the two bottom tiers or layers, I rummaged through my box of discontinued Rowan Designer DK and found the cocoa brown and dark gray that seemed to work with the handpaint.  I needed two 50-gm balls of each of those colors, but only had one of the gray, so I had to substitute something “close but different” to finish the bottom layer – but it is hidden underneath the cocoa layer and you will never see it.

So here are the changes I made to the pattern.  This is a BIG drop shoulder design so I knit the “smallest” size which was a 45″ circumference.

  • Changed number of stitches for the smaller size to adjust for gauge difference (5-1/2 instead of 5 sts to the inch)
  • Split the hem on the bottom tier or layer (dark gray in picture) with a seed stitch edging around the bottom and up the sides of the split hem
  • Added “purl darts” (column of purl stitches every 10 stitches) to the two bottom tiers to keep them from curling.  The pattern has you knit the bottom tiers in straight stockinette, which you know is going to curl up like a roller blind if you don’t do something to keep it hanging flat!
  • Knit the body in the round to the underarm
  • This is the big one – changed it from a drop shoulder to a set-in-sleeve design.  I used my method for knitting and attaching the sleeve cap directly into the armhole, then knit the rest of the sleeve in the round to the cuff.
  • So overall, not knit in flat pieces and then sewn together – knit all in one piece with no sewing.

There is some “pooling” of colors in the handpaint at different points throughout the sweater.  I struggled with this a bit but decided to just not worry about it in the end.  It has to do with the interplay of the width (flat knitting) or circumference (knitting in the round) of the garment at some point, versus the length of the color repeat in the yarn.  If I had knit the entire sweater in flat pieces to be sewn together, I am pretty sure I would still have had some color pooling on the sleeves, at least.  And possibly also in the yoke, since the width of the body above and below the underarm became different after changing it to a set-in-sleeve design.

Also, this being a handpaint, the two skeins were not exactly the same; one was a little more muted in tone for at least part of the skein, so I had to break the yarn and wind off sections and rearrange them to get transitions that were not glaringly obvious.

I am really happy with this sweater, it is really comfortable and fits me well.  And it is a little different, more whimsical, than what I usually knit for myself.

This is how much I had left of the handpaint yarn!

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On (and Off) the Loom

I’ve been weaving away on rugs and thought I would put up a few pictures.  All of these are woven with materials I got at the Pendleton mill outlet stores.  For the most part they are by-products from weaving wool blankets (the fringed selvages, and also the smooth wool selvages they call “worms”).   I also have some lighter weight fringed selvages that I think were by-products of weaving wool shirting fabrics.

Pendleton smooth wool selvages ("worms")

wool shirting selvages alternated with smooth wool strips

I’ve been experimenting with alternating shots of the fringed selvages with the smooth wool selvages, for a number of reasons – to make the fringed material go farther, to make the rug less heavy, and for color effects.  I am pretty pleased with this approach and will probably use it more.

very heavy fringed selvages alternated with black "worms"

And this:

turned into this:

I was a little surprised when I got into this next bag and realized the material was COTTON – almost everything I get from the mill stores is wool!

Pendleton cotton fringed material

Another one using alternating shots of fringed and smooth material:

And this last one was done all with “worms”:

One of these was a special order; the others are out in the Confluence Gallery in Twisp and the Winthrop Gallery in Winthrop, on consignment.  And there are more underway!

I’m happy to report that is is finally SNOWING here today, with more forecast for the week.  It has been really cold and dry, icy and treacherous walking… this seems more like “normal”!

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We arrived home from the Coast the day after Christmas, and the following week brought a mad (but fun) swirl of social activities: dinners with friends, our neighbor’s 70th birthday party, guests from Seattle, New Year’s Eve at the Methow Valley Inn in Twisp.

Unfortunately, my camera battery needed charging so I didn’t get very good pictures at the birthday party, but it was snowing lightly and there were wagon rides:

two-horse open "sleigh"

Actually the plan was for it to be a sleigh, but there just wasn’t enough snow so they had a wagon instead!  There were jingle bells, though.

We got out for a ski on the cross-country trails on New Year’s Day, and the conditions were excellent despite the odd weather we continue to experience (little snow, rain, warming trends, etc).  The next morning our friends from Wenatchee stopped by for brunch and to see the Wolf Creek house – they hadn’t been here yet.  They had a great pair of “beer-can-holder” mittens that someone had brought back from a trip to Iceland.  I will definitely be making a pair of these:

In the studio, I am back to weaving rugs on my big loom.  I decided it was time to sort through all the bags of Pendleton “worms” I brought back from the mill outlet store in Portland.  Bags and bags of them.  When I buy these, they are dumped into a big bin, sold by the pound, so I basically go dumpster diving and stuff all the colors I like into big plastic bags.  They still need to be sorted so I can see what and how much I have of various colors.  It’s a dusty, dirty affair!

Then I start pairing things up to see what I might want to use in a rug.   I am going to try combining the smooth selvages (“worms”) with the fringed selvages this time around, at least in a few of them.

I’m also toying with the idea of making one more run of the plaited twill scarves.  The Confluence Gallery sold almost everything I had over the holidays, plus 3 of my lap robes (not complaining, mind you…)  So now I am almost out of scarves again.   I don’t want to buy more material, though, so am trying to figure out what I have enough of to make a long-ish warp.  Warp colors in the foreground, some rayon chenilles to weave with in the background:

On the way home from the Coast after Christmas, we made a few stops and I found a couple of new treasures in antique shops.  This object is a buttonhole cutter (Optima, made in Germany) and it is quite beefy and in great condition – and only five bucks!

I haven’t been able to find anything about it on the Internet; they definitely don’t seem to be made anymore.  I did find something like it, made by the U.S. company Wiss (makers of scissors and shears), on an antique tool website, but that was about it.  He had sold that one for $95 so I am feeling good about my purchase.

Then I found these vintage milliner’s hat forms.  They are canvas and I have since found a few on eBay (mine cost a lot less, yay!).  I had never seen one before, and I found them on the same day, but in two completely different stores (one in Monroe and one in Cashmere).  I will use them to display my hand-knit hats:

vintage canvas hat forms

The only bad news this week is that the ignition switch went out on our Honda CR-V.  It had started acting funny 2 days ago, but we weren’t sure if it was a key issue or a steering wheel lock issue, or what.  Then yesterday I made an errands run – picked up eggs from neighbor up the road, check.  Post office, check.  Grocery store, check.  Stopped by the office above Winthrop where I work part time, to drop off mail and check emails, etc.  When I went to leave, I couldn’t get my key or the valet key to go into the ignition.  Then finally got it in but it wouldn’t turn.  Rick was down in Pateros on an installation so I couldn’t even get a ride home.  It was getting dark and cold!  Finally called the local locksmith and fortunately he was in Winthrop (they cover the whole valley, and beyond).  He couldn’t get it to work either, despite lubricating it and trying for about a half hour.  The conclusion is that there is some pin or pins in there that have seized up or fallen out or something.  So I have left the car up there and we are waiting for a new ignition to be sent from the dealership in Wenatchee.  Hopefully by tomorrow or Friday I will have my car back!

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Rainbow

I have been weaving another set of 8 scarves the last 2 weeks, in the original warp colorway which I have decided to call “Rainbow” for lack of a better idea.  I didn’t have time to photograph them individually as I wanted to get them out to the 2 galleries, and one was a special order.  But here are a few pictures of the ones I have hanging up at the Winthrop Gallery:

"Rainbow" warp with 3 colors of rayon chenille weft

"Rainbow" warp with black & navy tencel weft (2 on the right)

Yesterday I made my annual batch of krumkake (the only Christmas cookie I make anymore).  My mother-in-law gave me her krumkake iron a number of years ago, and I have been trying to keep up the tradition every year.  It is a “slow food” process because you have to bake them one at a time on the stove top:

and you have to work fast!  They only cook for about 30 seconds on each side, and the temperature has to be just right.  Once you lift the cookie off the griddle, they cool fast so you have to roll them up right away, within seconds.

It was the maiden voyage for the Mixmaster, and she worked great!  Well, there might have been just the slightest whiff of burning motor oil…

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